|
MPF
|
42A/B
|
|
Senior Project-A/B
|
|
|
This course will provide students with the opportunity to apply the theories, concepts, techniques, technologies, and practices of making films and videos learned in previous years and to synthesize them in a senior project of a prescribed length. Individuals and groups will work in close regular consultation with the instructor and/or an advisor through all stages of production. Alternatively, they may undertake, with the approval of the instructor, concentrated work of a specified nature in relation to production.
|
|
|
|
Lab: 6 hrs.
|
| Prerequisites: MPF 300 and MPF 301 and MPF 602
|
|
|
|
GPA Weight: 3.00
|
|
Billing Units: 2/2
|
| back to top | |
|
|
MPF
|
106
|
|
Film Production: Silent Film
|
|
|
This lecture/laboratory course introduces students in Film Studies to the art and craft of the medium - its history, main genres and techniques. The course focuses on how meaning is created through the moving image and specifically explores the relationship between form and content. Different creative methods are explored by making silent 16 mm films. Visualization and storytelling are introduced, studied and practiced. (Formerly the first half of MPF16A/B).
|
|
|
|
Lab: 3 hrs.
|
|
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
107
|
|
Film Tools and Applications I
|
|
|
This lecture and lab class introduces students to the concepts, tools, applications and foundations of filmmaking, including photographic imaging, exposure, cinematography, lab processes, lighting, film editing, and an introduction to digital editing. This course focuses on the visual aspects of silent film production. (Formerly the first half of MPF17A/B).
|
|
|
|
Lab: 3 hrs.
|
|
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
206
|
|
Film Production: Sound Film
|
|
|
This lecture/laboratory course focuses on how meaning is created through the moving image and specifically explores the relationship between form and content, image and sound. A variety of creative methods are explored by making films shot in 16 mm that are edited digitally. Project development, the basis of storytelling, script analysis, and sequencing techniques are introduced, studied and practiced. (Formerly the second half of MPF16A/B).
|
|
|
|
Lab: 3 hrs.
|
| Prerequisite: MPF 106
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
290
|
|
Introduction to Film Studies
|
|
|
This course provides an introduction to the field of film studies. The course emphasizes critical approaches to film aesthetics. Students will become familiar with film terminology, introductory methods of film analysis, and writing about the cinema.
|
|
|
|
Lect: 3 hrs.
|
|
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
300
|
|
Film Technology: Multi-Media
|
|
|
This course prepares students for multi-platform delivery and reception of images. Methods of image-capture for online and installation work, such as film/video interfaces are featured. New developments in digital systems and multiple sites for film viewing are explored.
|
|
|
|
Lab: 3 hrs.
|
| Prerequisite: MPF 423; Corequisite: MPF 502
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
|
|
This course helps students to become aware of the business aspects of film and video production and includes documentary, commercial and narrative productions. It deals with those areas of pre-production, production and post-production which most involve the producer directly. Promotion, distribution and exhibition of product will be dealt with.
|
|
|
|
Lab: 3 hrs.
|
| Prerequisite: MPF 422
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
302
|
|
Business of Film II
|
|
|
This course introduces students to film and television production in Canada. By focusing on the roles and responsibilities of the producer-developer, students learn organizational, legal, financial, creative and marketing aspects of the industry. Knowledge of funding policies and opportunities, revenue reporting, as well as performance and copyright regulations inform the making of film and television in the Canadian context and are key to preparation for work in the Canadian industry.
|
|
|
|
Lab: 3 hrs.
|
| Prerequisite: MPF 301
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
|
|
This intermediate level course on the methods of fiction film and video production focuses on the practical considerations and creative strategies employed in the researching, planning, producing, directing, and final execution of stories for the screen. Students explore narrative storytelling techniques and production methods that mirror professional practice. (Formerly the first half of MPF22A/B).
|
|
|
|
Lab: 3 hrs.
|
| Prerequisites: MPF 206 and MPF 107
|
|
|
|
GPA Weight: 1.50
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
324
|
|
Writing for Film I
|
|
|
This course introduces students to basic writing and research techniques as they relate to the motion picture industry. Emphasis is placed on writing exercises for narrative films. (Formerly the first half of MPF24A/B).
|
|
|
|
Lab: 3 hrs.
|
| Corequisite: MPF 322
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
327
|
|
Film History and Criticism to 1945
|
|
|
This course surveys the history and criticism of the cinema from its origins to WWII. The course emphasizes film form, principally narrative, mise-en-scène, editing, and sound, and forges links between the film text and social, economic and technological developments. Topics include: identification, race and representation, women's cinema, documentary and the avant-garde. (Formerly the first half of MPF 27A/B).
|
|
|
|
Lect: 3 hrs.
|
| Prerequisites: MPF 290
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
|
|
This intermediate level course offers production techniques for film. The course explores the myriad approaches and styles suggested by the term "documentary" and "narrative", including the production processes and the roles of each crew member. Students work in teams to produce short assignments. (Formerly the second half of MPF22A/B).
|
|
|
|
Lab: 3 hrs.
|
| Prerequisite: MPF 322; Corequisite: MPF 423
|
|
|
|
GPA Weight: 1.50
|
|
Billing Units: 1
|
| back to top | |
|
|
|
|
This course introduces students to the theoretical and practical aspects of synchronous sound. Aspects of sound techniques include: double-system sound production; on-set production practices; issues in the synchronization of sound and picture; the foley studio, and mixing processes for film and television production. (Formerly the second half of MPF23A/B).
|
|
|
|
Lab: 3 hrs.
|
| Corequisite: MPF 422
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
427
|
|
Film History and Criticism since 1945
|
|
|
This course surveys the history and criticism of the cinema from the post-WWII period to the present. It traces major film movements and filmmakers, as well as the critical analysis that was produced to grapple with important issues of representation and context. Topics include: authorship, genre, ideology, national cinema, and alternative film practices. (Formerly the second half of MPF27AB).
|
|
|
|
Lect: 3 hrs.
|
| Prerequisite: MPF 327
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
|
|
This is an advanced theoretical and practical course on the principles of film and video production. Students may work on projects researched and written in second year. Different sections may focus on various aspects of the filmmaking process. (Formerly the first half of MPF32A/B).
|
|
|
|
Lab: 3 hrs.
|
| Prerequisites: MPF 422 and MPF 423
|
|
|
|
GPA Weight: 1.50
|
|
Billing Units: 1
|
| back to top | |
|
|
|
|
This course introduces students to classic film theory and to the vocabulary and methodology for film analysis. Film theories will be examined in light of the formal, cultural and ideological contexts that underlie them. (Formerly the first half of MPF35AB).
|
|
|
|
Lect: 3 hrs.
|
| Prerequisites: MPF 427 or MPF 27A/B
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
|
|
This is an advanced course on the principles of fiction film and video production. Students work on original scripts with experienced actors to produce dramatic scenes for big and small screens. Modes of production that mirror the present-day film industry are emphasized. (Formerly the second half of MPF32A/B).
|
|
|
|
Lab: 3 hrs.
|
| Prerequisite: MPF 502
|
|
|
|
GPA Weight: 1.50
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
604
|
|
Film Technology: Post-Production
|
|
|
This course deals with advanced production and post-production systems, methods and equipment. Topics include: studio lighting, camera movement, film stocks, editing, advanced lab techniques, colour correction.
|
|
|
|
Lab: 3 hrs.
|
| Prerequisite: MPF 300
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
|
|
This course introduces students to contemporary film theory, including semiotics, psychoanalysis and reception studies, and to advanced methods of film analysis. (Formerly the second half of MPF35AB).
|
|
|
|
Lect: 3 hrs.
|
| Prerequisite: MPF 505
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
|
MPF
|
801
|
|
Film: Capstone Lecture
|
|
|
This is lecture and seminar course designed to assist students as they begin to consider the various roles they may take on in the next phase of their lives post-graduation. The course will tackle current and ongoing issues of special interest to emerging filmmakers. Topics will include a variety of aesthetic and ethical choices facing directors, producers and designers.
|
|
|
|
Lect: 3 hrs.
|
|
|
|
|
|
GPA Weight: 1.00
|
|
Billing Units: 1
|
| back to top | |
|
